62 Identifications of Iron Age Tattoos from the Altai-Sayan Mountains in Russia Svetlana Pankova. ![]() 56 The Mummification Process among the “Fire Mummies” of Kabayan: A Paleohistological Note Dario Piombino-Mascali, Ronald G. 37 Reviving Tribal Tattoo Traditions of the Philippines Lars Krutak. 11 Burik: Tattoos of the Ibaloy Mummies of Benguet, North Luzon, Philippines Analyn Salvador-Amores. 3 Part 1: Skin 1 2 3 4 5 6 7 8 New Tattoos from Ancient Egypt: Defining Marks of Culture Renée Friedman. xi Introduction Aaron Deter-Wolf and Lars Krutak. Lawrence Island Yupik artist (2009) CONTENTS Acknowledgments. that the value of these artifacts lies in how one looks at them. British Museum, London (EA52863) The paper used in this publication is acid-free and meets the minimum requirements of American National Standard for Information Sciences- Permanence of Paper for Printed Library Materials, ansi z39.48–1984. University of Washington Press uwapress.uw.edu Library of Congress Cataloging-in-Publication Data on file isbn (hardcover): 978-2-3 isbn (paperback): 978-3-0 isbn (ebook): 978-4-7 Front cover: Egyptian faience figurine with tattoos on truncated legs (ca. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher. Copyright © 2017 by the University of Washington Press Paperback edition 2020 Printed and bound in the United States of America Design by Katrina Noble Layout by Jennifer Shontz, 24 23 22 21 20 5 4 3 2 1 All rights reserved. Additional support was provided by the McLellan Endowment, established through the generosity of Martha McCleary McLellan and Mary McLellan Williams. Lawrence Island, Alaska 19 A Long Sleep: Reawakening Tattoo Traditions in Alaska References Contributors Index Recommend PapersĪNCIENT INK Ancient Ink T H E A R C H AE O LO GY O F TATTO O ING Edited by LARS KRUTAK and AARON DETER-WOLF A McLellan Book University of Washington Press Seattle Ancient Ink was made possible in part by a grant from Furthermore, a program of the J. ![]() Table of contents : Cover Title Copyright Contents Acknowledgments Ancient Ink Introduction Part 1: Skin 1 New Tattoos from Ancient Egypt: Defining Marks of Culture 2 Burik: Tattoos of the Ibaloy Mummies of Benguet, North Luzon, Philippines 3 Reviving Tribal Tattoo Traditions of the Philippines 4 The Mummification Process among the “Fire Mummies” of Kabayan: A Paleohistological Note 5 Identifications of Iron Age Tattoos from the Altai-Sayan Mountains in Russia 6 Neo-Pazyryk Tattoos: A Modern Revival 7 Recovering the Nineteenth-Century European Tattoo: Collections, Contexts, and Techniques 8 After You Die: Preserving Tattooed Skin Part 2: Tools 9 The Antiquity of Tattooing in Southeastern Europe 10 Balkan Ink: Europe’s Oldest Living Tattoo Tradition 11 Archaeological Evidence for Tattooing in Polynesia and Micronesia 12 Reading Between Our Lines: Tattooing in Papua New Guinea 13 Scratching the Surface: Mistaken Identifications of Tattoo Tools from Eastern North America 14 Native North American Tattoo Revival 15 The Discovery of a Sarmatian Tattoo Toolkit in Russia 16 Further Evaluation of Tattooing Use-Wear on Bone Tools Part 3: Art 17 What to Make of the Prehistory of Tattooing in Europe? 18 Sacrificing the Sacred: Tattooed Prehistoric Ivory Figures of St.
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